In my artistic practice, I specialize in creating architectural lighting objects using stained glass techniques. Glass, light, and color serve as my primary media, through which I express my vision of a miniature Glass City—a realm both mysterious and evocative of long-forgotten childhood imaginative faculties.
My works embody a yearning for escapism, crafting a "comfort zone" that bridges past and present. The colored glass, a medium with millennia of history, has long captivated the human mind with its paradoxical qualities of beauty, sturdiness, and fragility. Historically, it has symbolized wealth in private dwellings and facilitated divine upliftment in religious edifices.
When light interacts with the colored glass of my castle-shaped sculptures, it induces a state of mind where fantasy and creativity operate at their zenith. My artistic vision is to construct architectural forms that are both illuminated and chromatic, thereby infusing spaces with an air of mystery that I find simultaneously comfortable and cozy.
The use of stained glass in my work draws upon its rich cultural and historical significance while recontextualizing it for contemporary artistic expression. By manipulating this traditional medium, I aim to create a dialogue between historical craft and modern aesthetic sensibilities.
Through my Glass City, I invite viewers to explore a landscape of illuminated miniatures that challenge perceptions of scale and reality. These pieces serve not only as objects of visual interest but also as conduits for emotional and imaginative engagement, encouraging observers to reconnect with their own capacity for wonder and fantasy.
In essence, my work seeks to carve out a space for contemplation and whimsy in our fast-paced world, offering a momentary escape into a realm where light, color, and form converge to create a sanctuary for the imagination.
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